Week of May 29, 2023

A weekly Saturday recap to share with you our favorite links, discovered, exhibitions, and more from the past seven days. This week: a Wes Anderson-esque LA bottle shop (above), an innovative plant holder, and a majorly chic Stockholm gallery reopening.
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Jonathan Pessin Shops 7 Days a Week to Amass the Collection of Objects He Jokingly Calls “Not For Sale”

A collector with a penchant for the oversized and the absurd, Pessin runs the cheekily named vintage showroom Not For Sale from a giant space next to his (now-former) loft in Los Angeles. When we visited, the boundary between the two spaces was practically nonexistent, cycling in as he does favorite finds like a giant Mr. Goodbar, a papier-mâché Bart Simpson, and, always, French industrial furniture from the 1950s. An excerpt from How to Live With Objects.
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Atelier Areti’s New Lighting Collection Embraces Romance

For their 2022 lighting collection, Elements, the sisters behind Atelier Areti set a challenge for themselves: to create something innovative using only the simplest composition of a light (base + arm + illuminating element). Their latest collection, Reflections — which debuted last month as part of Alcova in Milan — was a kind of response to working within those parameters. Embracing their freedom from a restrictive framework, the collection welcomes romance: While Reflections is still distinctly within Areti's visual vocabulary, the collection also includes a series of lights inspired by the shape of tulips, one that features filigreed trees sprouting from its base, and a piece, designed by Alberto Gaiotto, inspired by the elegant neck of a swan.
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Caroline Chao Uses Glass, Mirror, Lucite, and Light Itself to Create Optical Illusions in Her Furniture Debut

The nature of furniture is participatory — chairs invite us to sit, tables to gather round — but this holds especially true for the work of New York–based designer Caroline Chao. Her pieces engage our powers of interaction and perception — perhaps because in addition to the glass and Lucite she uses, light itself is a kind of material for her. We recently spoke with her about interiors vs furniture, how to re-contextualize ordinary materials, and her work towards changing the concept of a “good view.”
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Week of May 22, 2023

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: The newest, coziest addition to Bower's Melt collection, new housewares from a beloved shoe brand, and the first furniture line from one of our favorite London interior designers.
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Matthew Byrd Noguchi stone sculptures

Using Stone That’s Destined for the Dump, Matthew Byrd Creates These Interlocking, Noguchi-Inspired Sculptures

As a sculptor and stonemason, artist Matthew Byrd spends a lot of time driving around his hometown of Raleigh, North Carolina. Much of that time is spent looking at old buildings for inspiration, noticing how one intersects with the roof of another, trying to figure out how he can translate those moments into his stacked stone sculptures. But his travels often have a more practical purpose as well — late at night, Byrd drives around scoping out abandoned lots or construction sites from which he can gather raw material that would otherwise be destined for the dump.
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The Best of New York Design Week 2023, Part II

Part II of our New York Design Week roundup — the second and final in our coverage, though we technically had so much content we could have easily done three — is mostly an accounting of the more straightforward side of design week, from group exhibitions — like the launch of the Mexican and Latin American design–focused retailer Omet and the latest Radiator Show, which upends the idea of comfort at home — to sophisticated new collection presentations by brands like Atelier de Troupe and Orior. Plus, a handful of interesting collabs, and a birds-eye view of ICFF.
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The Best of New York Design Week 2023, Part I

At the beginning of this month's New York design mania, I joked that while I've complained in the past that New York Design Week was too drawn out (it ballooned to nearly a month last year), this year felt too compressed, a kind of karmic retribution for my grumbling. How could we possibly see everything, and so close to Milan when we'd just gone through the same routine? But perhaps that sense of urgency was exactly what New York needed. (And, in truth, the "week" stretched to almost two). Because somewhere along the way, I realized I was having a significant amount of fun. Last year, we all agreed that "New York Design Week was back," etc. etc., and we saw wonderful work in beautiful locations. But this year something else returned to the city. New York got a little weird again — in a good way. After the jump, take a spin through some of our favorites, then come back tomorrow for another round of highlights, including our picks from this year's ICFF!
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On the Hunt for Objects? Shop Our Book IRL at Nordstrom’s Manhattan Flagship

In our book, How to Live With Objects, we talk a lot about how rewarding it is to slowly and thoughtfully surround yourself with unique objects you feel a connection to, hence why we also caution against the department-store mentality of treating your interior as a series of empty spaces you should fill all at once. But when the department store itself becomes the place to find those unique objects, that advice obviously no longer applies — case in point, our new pop-in inside Nordstrom's midtown Manhattan flagship store, where now through June 17, you can shop nearly 100 truly special handmade, one-of-a-kind, and vintage objects from some of the makers and dealers featured in the book (as well as the actual book).
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Two Days Left to See Our Sight Unseen Collection Show, Featuring Work by 23 Designers, in New York City

New York Design Week is in full swing, and while we'll be featuring a round-up of all of the excellent things we've seen later this week, today we're putting a spotlight on our own collection, which is on view in New York through Wednesday. The show features 23 designers and studios from our newly launched Sight Unseen Collection, for which we chose furniture, lighting, and objects from a stable of emerging and mid-career designers from around the world — all of which can be ordered directly through Sight Unseen.
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Ben Willett Joins the Sight Unseen Collection With Warm Wood Furniture That Channels 1970s and 80s Europe

You could say that moving into furniture design was something of a pandemic project for Ben Willett. At the start of the shutdown, he and his wife, chef and cookbook author Molly Baz, were on vacation in California and decided to stay there, eventually making a permanent move from a 700-square-foot New York City apartment to a house on the far east side of Los Angeles. With space came the need to fill it, along with a new West Coast perspective; the result is a collection still in the works but previewed in the images here, with pieces like the WS-Shorty credenza, a beauty in Douglas fir that debuted last night at our Sight Unseen Collection show in New York.
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Danny Kaplan Wants His New Furniture Collection, Made From Clay and Oak, to Appear Built By Nature

Danny Kaplan is a ceramicist, but he’s also a bit of a wizard, conjuring pieces that somehow manage to feel earthy and ancient — as if they’ve always existed — yet also exceedingly current and fresh. “A lot of my forms were born from looking at Etruscan ceramics and thinking about midcentury ones as well,” says the New York–based designer. “I love the idea of blending these things in an organic way where it feels like my pieces are almost built by nature,” their geometry and angles always slightly relaxed or imperfect. This especially applies to his latest collection, Brick, which is launching as part of our Sight Unseen Collection today, both online and in NYC through May 25 at Voltz Clarke Gallery on the Lower East Side.
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Frangere stained glass lighting

Each Item in This Stained Glass Lighting Collection is Like a Piece of Jewelry for Your Home

Carina Webb’s parents built the house she grew up in close to the sea in a small suburb of Auckland, New Zealand. Her dad, an engineer, believed that every home should have a small workshop in which to make things, so naturally the house was filled with handmade objects alongside those collected or inherited over the years. “From a young age I was taught the value of handmade, quality craftsmanship, and the sentimentality of objects,” she says. These are the values on which she bases her Auckland design studio Frangere, whose debut Fun Guy collection we fell in love with earlier this year — and which we'll be launching a piece of at our Sight Unseen Collection show this Thursday in New York.
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