Week of November 4, 2019

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: Hay's ultra-chic, French-inspired bedding, Matisse-esque ceramics on view in Italy, and a series of new textiles and wallcoverings using designs by Bauhaus masters and SU icons Gunta Stölzl and Anni Albers.
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Franz West’s Hyper-Colorful Chairs Are At the Top of Our Fantasy Furniture Wishlist

It's gift guide season, and if our budget this year was $12,000 instead of $200, we would definitely be buying someone we love one of the new Franz West chairs available at David Zwirner as part of their latest online Viewing Room exhibition. The late Austrian-born artist was not known for making especially functional furniture, but these chairs might be the closest he came to pure design.
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A New Jose Dávila Exhibition in A Stunning Brutalist Church

If you've ever visited König Galerie in Berlin, which is housed in a renovated 1967 Brutalist church with a skylit concrete nave, you'll know that there are only a few places in the world to experience contemporary art in such a breathtaking setting. There are also only a few artists whose work would be quite so at home in that nave as Jose Dávila, the Mexican sculptor who trained as an architect and is known for his focus on space, balance, and proportion.
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Tatiana Bilbao furniture

A New Furniture Collection by Tatiana Bilbao, the Mexican Architect On Everyone’s Lips

The Mexican architect Tatiana Bilbao is known for a kind of socially conscious, contextually sensitive, human-centered approach — so in hindsight it was only a matter of time before she would turn her attention to the realm of interiors and the way people interact within a space. If you're in Copenhagen this month, we would highly suggest first going to see Bilbao's solo exhibition at the Louisiana Museum of Modern Art to learn about her ideas and working methods. But then head straight back into town to Étage Projects, to see Bilbao's first furniture collection.
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2016, Part III

This week we announced our 2016 American Design Hot List, Sight Unseen's unapologetically subjective annual editorial award for the 20 names to know now in American design, presented in partnership with Herman Miller. We’re devoting an entire week to interviews with this year’s honorees — get to know the third group of Hot List designers here.
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Week of October 28, 2019

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: readymade sculptures from off-the-shelf parts at Lowe's, a color-blocked apartment in Barcelona, and a stellar new lighting collection by Workstead, inspired by Modernist architecture and shot on-site at the Philip Johnson Glass House.
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A Limited-Edition Furniture Set for Collectors of Small Objects — AKA All of Us

The Italian design duo Zanellato Bortotto set out to produce a series of works dedicated to collectors and their passion for objects, with metal pieces produced by De Castelli and a rug from cc-tapis. The result is ‘Labirinti,’ a range of six pieces that nod to cabinets of curiosity; even empty, they each possess a magnetism that calls out to be filled.
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Dutch Design Week 2019

30 Projects We Loved from Dutch Design Week 2019

A feeling of urgency pervaded this year's Dutch Design Week. It was clear from many of the works on show that the focus of the designer is shifting; no longer is good aesthetic judgment and a well-designed clever product the aspiration. Ego and vision are going out of style, to be replaced by attempts to understand the inter-connected systems in which design sits.
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Week of October 21, 2019

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: an explosion of color in our current must-see art exhibitions, an affordable new housewares series by Philippe Malouin, and four very different takes on wooden furniture, including the table above.
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The Soft Serve Aesthetic of Anton Alvarez’s Extruded Ceramic Sculptures

The Flavour Is So Strong — Anton Alvarez’s second solo exhibition at the Stockholm gallery Larsen Warner — opened last week, situating Alvarez’s hyper-colorful, texturally striking sculptures within a peaceful white setting at the gallery’s new space in Ostermalm. Alvarez has always been interested in formal instability, and these new objects — a continuation of his work with a kind of automated ceramic extrusion — challenge our perception of weight as well as gravity, while embracing the imperfections inherent to the process of transforming wet clay inside a kiln.
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