Ferruccio Laviani on his Good Vibrations Series

Partly as a consequence of being based in Italy, one of the biggest furniture-making centers in the world, Ferruccio Laviani does a lot of different work for a lot of different manufacturers, from sleek plastic lamps to futuristic lounge chairs. So when he was invited to collaborate with a manufacturer of baroque furniture founded in 1928 by a craftsman making Louis XV replicas — he accepted the challenge, creating a provocative series called “F* THE CLASSICS!” that puts a contemporary twist on the company’s traditional style. The latest piece in the collection, Good Vibrations — a computer controlled robotic router-carved wooden cabinet that looks like a warped VHS video — is so striking, it went viral on over a dozen design blogs shortly after renderings of it were released in advance of the 2013 Salone del Mobile in Milan (even though it was so difficult to produce that the real cabinet, pictured after the jump, wasn't even exhibited until the 2014 fair that took place a few weeks ago). For the Lincoln Now project that Sight Unseen recently participated in, Laviani took some time to tell us how (and why) he created it.
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Week of April 14, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week, we resume the series with our last (no, really) Milan fair roundup, plus our favorite new shopping destination in L.A., two exhibitions of nominally functional furnishings, and a ghostly faded mirror that makes for a nice addition to the genre's current craze.
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At the 2014 Milan Furniture Fair: Part IV

A week ago today, we spent our afternoon at the Milan fairgrounds, our evening surrounded by colleagues at a dinner hosted by Camron PR, and the wee hours of the night at Bar Basso, where we ran into just about every friend of ours who was in town from far and near. Which reminds us of two key things about the Salone del Mobile: that catching up with dozens of the designers and curators we know but never see is one of our favorite things about the fair, and that each of those friends packs their days in Milan with just as many sights and experiences as we manage to pack into ours. We figured we'd combine both ideas into the second installment of a tradition we began last December at Design/Miami, when we invited everyone we knew who attended to send us the best photo they took that week. Read on to see what folks like Faye Toogood, Felix Burrichter, and Rafael de Cardenas thought were the highlights of their trips.
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At the 2014 Milan Furniture Fair, Part III

The fairgrounds at the Milan Furniture Fair are a great place to see attainable designs by established companies and talents, but typically it's not the place to go when you're scouting for new names (though this year's Satellite show, as demonstrated in yesterday's post, happened to be a surprise goldmine). For that, you have to brave the long walks, aching feet, and lack of taxis that come along with trying to get to all the shows around town, from Rossana Orlandi gallery to the far-flung Lambrate district. We say this every year, but we barely saw half of what was on offer; that said, we saw a lot of nice things.
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At the 2014 Milan Furniture Fair, Part II

Though we're back from Milan and already knee-deep in planning for our own design fair next month (eek!), we'll be bringing you highlights from the Italian capital all this week. Today we're focusing on our favorites from the fairgrounds, like Front's beautiful chairs for Moroso (above). The fair this year was visually quite strong, with last year's obsessive booth styling taken to even greater heights. (We actually begged the Arper folks to put some of their styling pieces into production!). The fair is also where the trends we'd been thinking about began to seriously take shape. What was in this year? Though everyone still loves that pastel mint and pink palette, we saw tons of putty — yes, putty — and other assorted non-hues (most of which didn't make it into this round-up, since we're suckers for color). For more of our take, read on, then click through to our Facebook album and come back tomorrow for more from the offsite shows.
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The Tortoise Shell Trend is Back, And We’ve Got the Proof

We've been in Milan at the furniture fair all week, and though we'll be posting more extensive coverage over the next few days, we wanted to begin by featuring a duo that's fast becoming an old favorite of ours, despite hardly being out of school. We've featured the work of ÉCAL alumni Josephine Choquet and Virgile Thévoz twice before, but when we saw them with a booth at this year's Salone Satellite — the Milan fair's showcase of up-and-coming talents — we knew we had to share their new work. The brass and acetate Acapulco lights at the top of this post employ the same materials as their sunglasses to fantastic effect, while their new mirrors play with something that was a major trend at this year's fair — iridescence. Inspired by a bubble’s prismatic surface, the mirrors are available in three colors that change according to your point of view. The London-bound duo are certainly ones to watch.
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Oeuffice Milanes collection Piero Portaluppi

Oeuffice’s Milanes Collection, from PIN-UP No. 16

Now that Seattle Week on Sight Unseen is over, we're turning our attention to another northwestern capital — Milan, Italy, home of the Salone del Mobile, where Jill and I are on serious scouting duty this week. Before we begin posting our annual eyewitness dispatches from the fair, though, we wanted to start our coverage with a small paean to our temporary digs: an article I contributed to the forthcoming Milan-themed spring/summer issue of PIN–UP magazine, which features the work of one of our favorite local design firms (Oeuffice) photographed inside the foundation of one of our favorite local architects (Piero Portoluppi). Click through to learn more about Oeuffice's Milanes collection of tabletop items and the impetus behind these gorgeous images, plus how you can snag the PIN–UP No. 16 when it goes on sale next month.
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Week of March 31, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. Today, we temporarily interrupt Seattle Week to bring yo far-reaching news from places like Sweden (clocks and tables made from rejected furniture), Milan (a preview of novelties launching at the upcoming Salone del Mobile, where we'll be reporting from next week), and the Internets (a rash of color-field abstraction on Instagram).
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Week of February 10, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: sculptures made from deconstructed window blinds and laminate floors, a book on vintage corporate identity design manuals, a series of fake Cuban shop windows (pictured above), and the most excitement we've ever experienced over a bar of soap.
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Poetic Lab & Studio Shikai, Designers

As anyone who’s spent even a passing amount of time with us knows, one of our favorite games is playing “spot the next design star.” There are lots of places to look, of course — our most recent obsession being the treasure trove that is Instagram — but the granddaddy of them all is Salone Satellite, the young designers showcase that sets up shop on the edge of Milan’s fairgrounds each year. Before blogs, before ICFF Studio, before the London Design Festival even existed, there was Satellite, which in the past has been a launching pad for designers like Front, Nendo, Paul Loebach, Jonah Takagi, and Matali Crasset, to name a few.
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The Best of the 2013 Milan Furniture Fair, Part I

Greetings from Milano! Between all the Negronis and risottos, the late-night parties and the trips to Bar Basso, the Sight Unseen team has spent the past week treasure-hunting at the annual Salone del Mobile, and we’re excited to share with you our first batch of finds. This post includes our favorite photos from days 1 and 2 of our trip, but there are many, many more in our Facebook album — click here to check it out! And stay tuned for more! (Above: new copper oxidized True Colours vessels by Lex Pott.) Painted plywood furniture by Schemata Architects / Jo Nagasaki, which we spotted at Rossana Orlandi gallery. Nagasaka is the one who made that amazing fluoro epoxy table a few years back.Bertjan Pot lamp for DHPH at Rossana OrlandiArtist Maurizio Cattelan was hanging in his Toiletpaper for Seletti booth at Rossana Orlandi, playing pranks on passersbyMinale-Maeda mirrors at Rossana OrlandiScene from Nomadismi, an exhibition in Brera curated Li Edelkoort, with Stephen Burks Man-Made totem in the centerNomadismiAnton Alvarez wrapped chairs at NomadismiPierre Favresse table and Nathalie du Pasquier rug at La ChanceSebastian Herkner’s Salut tables at La ChanceSurrealist sculpture in BreraIceland Whale Bones project by ECAL students Brass-based lamps by Be Plus HaveAmazing architectural details abound in MilanBrose Fogale coat rack at DesignjunctionUpstairs at Fritz Hansen, visitors could sit in the new Ro Chair by Jaime Hayon and have their picture taken in front of a green screen. Um, yes please! The resulting photos placed us in 7 iconic cityscapes. We thought this one, in the center of Milan, fit the bill quite nicely! Stay tuned for more Milan coverage, coming soon!
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At the 2012 Dutch Design Week

It's been a tough two years for Dutch design. First a newly elected right-wing government slashed the tiny country's legendary arts funding, causing seemingly irreparable damage to its institutions and grant programs, and then a series of high-profile resignations called into question the inner workings of Eindhoven's hallowed Design Academy. But even if there are signs that the fairy-tale may not last — that creativity and experimentalism can't elude the death-grip of capitalism forever, even in a place where designers still benefit from squatters' rights — we still look forward to Dutch Design Week as a reminder of the happier consequences of those values. While we couldn't attend this year ourselves, we asked our faithful contributor Marco Tabasso, who's second-in-command at Rossana Orlandi gallery in Milan, to report back on his experiences at the festival — from his mixed feelings about the Design Academy show to the paella dinner he and Rossana shared with Nacho Carbonell in the designer's studio, above.
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