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In a New Series, A Sicilian Still-Life Artist Says Goodbye to Beige

The Sicilian-born, London-based designer Oscar Piccolo has a self-professed obsession. He is compelled to take vases and arrange them just so, manipulating how the light shines through, meticulously moving through tableaux until arriving — ecstatically — at just the right one. This fascination, he admits, “is becoming a bit of a problem.” Yet at the core of this compulsion is a relatively simple proposition: “All in all, my work explores the relation between objects and their positioning.”
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At a New Show, Thomas Barger Upcycles Your IKEA Discards Into Collectible Design

At just 25 years old, Thomas Barger finds himself wrestling with the ordinary — the idea that he’ll soon be kicked off his parents’ health insurance when he turns 26 — and the extraordinary — raising a solo show of sculptural furniture, on view through March 31 at Salon 94 Design. A recent nod from Architectural Digest and a sale to prominent art dealer and collector Javier Peres also signal Barger’s ascendency into the artistic stratosphere. But while all of these realities point to his newfound adulthood, the works on display at the gallery look backwards to the underpinnings of a youth spent growing up gay on a farm in Mattoon, Illinois.
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10 Designers on Their Favorite Dining Chairs

When you love design as much as we do, it can be hard to choose your favorite, well, anything. If asked to choose our favorite dining chair of all time, for example, would we pick a luxurious Milo Baughman? Or something more classic like Breuer's Cesca chair? That's exactly the question we posed to 10 designers around the world in our role as guest editors of the second-ever issue of MOLD Magazine.
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Week of July 3, 2017

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: velvet-clad walls at the Vienna Secession, 3-D artworks having a moment, and, for good measure, Scandinavian paper porn.
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Designers Interpret the Classic Tolix A Chair

We aren't quite sure how we missed this project — considering both our affinity for the classic Tolix A chair (we might own seven (!) of them ourselves) and our affection for the designers involved — but in Milan last month, the French company celebrated its 80th anniversary and in doing so invited eight design studios to reinterpret its most famous offering.
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Fort Standard’s Gregory Buntain on his Tombstone Chairs

From an outside perspective, the Brooklyn furniture-design studio Fort Standard exudes the aura of a successful business with a clear DNA. Yet that wasn't always the case: When co-founders Ian Collings and Greg Buntain first joined forces in 2011, after graduating together from Pratt, they had no idea what direction to take — they simply dove headlong into the making process. “We had one goal: to do our own thing,” Buntain said in a recent interview. Their stock may have risen since then, but behind the scenes, the pair still make an effort to keep things loose; to maintain a sense of discovery in their shared practice, they both do separate solo work on the side, little personal experiments and objects they create for their own homes. Occasionally these prototypes are developed into Fort Standard products, but most of the time they go unseen, as was the case for Buntain's marble Tombstone chairs before we spotted them on Instagram. When we approached the designer to ask him if we could share them with you in the interview after the jump, it turned out he had a home full of personal pieces he'd made but also never shared with the public, which he was kind enough to walk us through in the second half of this story.
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