SAIC x Sight Unseen OFFSITE

Five Talents to Watch from SAIC’s Ceramics Exhibition at Sight Unseen OFFSITE

This year, two recently famous American designers themselves — Pete Oyler of Assembly Design and Jonah Takagi of Atelier Takagi — launched an intensive studio class in the SAIC Designed Objects program, aimed at taking students on a holistic journey from concept to exhibition, with the ultimate goal being a showcase of ceramic drinkware; the results were on view at this weekend’s Sight Unseen OFFSITE.
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We Re-Curated Brooklyn’s A/D/O Shop — Here Are 5 Great Things You Can Buy There

We've run an online shop for almost as long as we've run Sight Unseen, yet if we had a dime for every time we've heard the same question over the past 9 years — why don't you open a physical store? — we'd be very, very rich. To all those who have so kindly indulged in a fantasy of shopping Sight Unseen IRL, however, we have big news for you: As of today, we've taken over the curation of the shop at A/D/O in Greenpoint, Brooklyn, and filled it with super-affordable furniture, lighting, and housewares by dozens of Sight Unseen-approved brands and designers.
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Ross Hansen Volume Gallery

Resin is Having a Moment — Here’s One of Our Favorite Uses of the Material Yet

Los Angeles designer Ross Hansen has a degree in landscape architecture — as well as a current landscape practice — so it makes sense that his first solo furniture exhibition, on view now at Chicago's Volume Gallery, would hinge on man's perception of nature. Called Super Natural, the pieces in his new series explore color, form, and industrial processes through objects made from epoxy resin — a grand, flocked, deep green armoire with a protruding, block-like grid; a bumpy, brick-red chair; and a series of bowls, tables, shelves, and chairs, whose mottled, pigment-dyed patterns almost resemble florals.
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The Best of Milan Design Week 2018 — Part III

In the third of our posts chronicling our Milan design week finds, we're focusing on the Salone Satellite. It's definitely the most high-stakes event for us during each year's fair, the place where we either strike gold with a ton of new studio discoveries or feel let down by a lack of collections that really manage to turn our heads. The projects we did get excited about this year are catalogued below, and if we're lucky, the best of these names will continue to appear on this site for years to come.
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At a New Show, Thomas Barger Upcycles Your IKEA Discards Into Collectible Design

At just 25 years old, Thomas Barger finds himself wrestling with the ordinary — the idea that he’ll soon be kicked off his parents’ health insurance when he turns 26 — and the extraordinary — raising a solo show of sculptural furniture, on view through March 31 at Salon 94 Design. A recent nod from Architectural Digest and a sale to prominent art dealer and collector Javier Peres also signal Barger’s ascendency into the artistic stratosphere. But while all of these realities point to his newfound adulthood, the works on display at the gallery look backwards to the underpinnings of a youth spent growing up gay on a farm in Mattoon, Illinois.
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If You Can’t Get a Table at Noma, At Least Now You Can Buy a Piece of the Decor

Talk about the ultimate design karma: Two friends graduate from the design program at The Royal Danish Academy of Fine Arts, conceive two vases in pigmented concrete as Christmas presents for their mothers, and just like that are discovered on Instagram by the designers behind Noma — aka the best restaurant in the world — and commissioned to create three new styles for the restaurant's recently reopened Copenhagen location.
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Fiberglass, Corian, Rubber, and Resin: Welcome to the Materials-Obsessed World of Wentrcek/Zebulon

Brooklyn design duo Kristen Wentrcek and Andrew Zebulon began making work together six years ago as Wintercheck Factory. And while their moniker has recently changed, their work has always derived its impact from the tension between the what and the why — the “what” being a material language that enforces approachability, and the “why” embedded in how it all comes together to elevate the mundane.
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In Artisan-Heavy Guatemala, a Young Maker Forging a New Path in Industrial Design

The last time we featured the work of Sofia Véliz — a two-piece set of folded-steel gallery furniture made for a Diego Sagastume exhibition — we wondered what else the Guatemala City designer might have up her sleeve. Over a year and a half later, we’re finding out: From extracting rubber powder from tires to seeking inspiration from Finnish film sets, to exploring the balance between utilitarian design and the urge to experiment, there’s no question that the 25-year-old designer keeps herself busy.
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Week of January 29, 2018

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week, a list of things that are currently, emphatically IN: iridescent Plexiglas, figurative wire sculptures, pink drinks trolleys and — we warned you — seashells.
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Hudson home tour with Elise McMahon of LikeMindedObjects © Pippa Drummond

At Home in Hudson, With A Designer Embracing the DIY Culture of Upstate New York

Over the past few years, as designers from Bushwick to Red Hook have begun moving farther and farther up the Hudson River, we've begun to wonder: Is upstate New York the new Brooklyn? Five years ago, one of those such designers was Elise McMahon of LikeMindedObjects, a RISD grad who works within a kind of freeform, collaborative, ad hoc aesthetic. We visited her art-filled home in Hudson, New York late last summer to find out more.
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Up and coming Swiss designer Dimitri Bähler

This Swiss Designer Blends the Rational With the Emotional to Create Some of the Most Beautiful Objects We’ve Seen

"When I started at ECAL at age 18, I actually didn’t know much about design," admits Dimitri Bähler. "As a kid, I was more interested in music, fashion, and illustration, along with biology and chemistry. In fact, I've always combined those two poles of interests: the rational and the emotional." That seems as good a way as any to describe Bähler, a young Swiss designer whose work has always seemed the result of both meticulous planning and wild experimentation. In many of his pieces, a relatively strict basic form is married to a more complex and renegade surface treatment.
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