A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: Nerding out on the science of chemical reactions, finding new uses for tie dye, and professing our love for iridescence and copper (yes, we’re predictable!). Discoveries We’ve always said that the only bad thing about the incredible roster of products made by Australian duo Daniel Emma is how few of them are available Stateside. Perhaps that will change now that their amazing Cherry on the Bottom light is being produced by the French company Petite Friture. In 2013, Daniel Emma first showed a self-produced edition of the lights in more fanciful colors, like baby blue and red; we much prefer the more sophisticated iterations shown here and at the top of this post, particularly (natch) the black and iridescent. The brand-new Museo del Design 1880-1980 is now open in Milan, tracing the history of Italian design from Art Nouveau to Memphis. As you might imagine, the permanent collection includes lots of chairs but our favorite might be this 1969 Mies seat, which was given by one member of Archizoom to the other as a wedding present. Not shown is the A+ illuminated footstool that typically accompanies the chair. An update from the Greece- and New York–based architecture firm LoT arrived in our inboxes this week, filled with lots of great new built work but also alerting us to their range of small goods, which they create under the name Objects of Common Interest. We’re especially partial to these copper table mirrors, whose bases are CNC milled from blocks of aerated concrete. Speaking of copper, we also got word this week of these beautiful copper bowls by Vancouver designer Ben Barber. Spun from solid copper sheets, the exteriors are powder-coated; “as the powder is baked into the copper, the copper undergoes a blooming process, giving each bowl a pearlescent hue; no two bowls are the same,” explains the designer. These ceramic bowls by Portuguese designer Sara de Campos are also the result of a relatively cool chemical reaction. Their blackened exteriors are formed using a dying Portuguese process called barro negro, in which the pieces are placed with burning firewood into a hole in the soil in the ground and covered with moss, leaves, or straw. East Village gallery Ed. Varie is leaving its 9th Street digs at the end of this month in search of artier surroundings, and before they leave, you should absolutely stop in and see the excellent exhibition on view, which includes one of our favorites, Malin Gabriella Nordin. … Continue reading Week of July 20, 2015