Fabien Cappello Mexico City studio

Fabien Cappello’s Studio is an “Island of Quiet” in the Middle of Mexico City

When asked about his relationship to color, furniture and interior designer Fabien Cappello stifles a laugh. “I find this so funny,” he says, “but I am colorblind.” This comes as somewhat of a shock after having seen the inside of Cappello’s Mexico City studio, a 1,075 square-foot space littered with designs in various stages of development: yellow and red fiberglass plant pots; a woven lounge chair with teal legs; lantern-like prototypes made of blue, orange, and pink wire.
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Get Ready to Fall for Studio Proba’s New Metallic Rugs, On View at Roll & Hill

Studio Proba is debuting a new four-piece rug concept titled Luster — blending bamboo silk, New Zealand wool, and metallic yarn — at Roll and Hill’s Mercer Street showroom, starting this Thursday. Punctuated by muted tones, the collection represents a break from Proba's usual brights and was created in the spirit of embracing challenge. “It’s rare to find metallic yarn in rugs meant for everyday use,” she says. “It was interesting to introduce it into a medium where it doesn’t belong.”
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Muji Materials Garden by Ladies & Gentlemen

Ladies & Gentlemen’s MUJI Materials Garden Was a Match Made in Minimalist Heaven

For this year’s NYCxDESIGN, MUJI teamed up with Jean Lee and Dylan Davis of Ladies & Gentlemen Studio on an installation to commemorate the Japanese lifestyle brand's ten years in the U.S. — the brand’s first-ever collaboration with an American designer. Called MUJI Materials Garden, the installation was comprised of seven vignettes showcasing MUJI collection mainstays alongside the materials from which they’re made.
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Creatures of Comfort_Studio Sayso3_credit Sean Santiago

Studio Sayso’s Colorful, Affordable, Goes-With-Everything New Furniture Collection

For Sight Unseen OFFSITE, Sophie Lou Jacobsen and Sarita Posada are launching Studio Sayso, which unites Jacobsen’s product design practice with Posada’s expertise in interiors. The studio’s Collection 01, which is currently on view at Creatures of Comfort, features colorful tables, chairs, and lamps inspired in part by Posada’s hometown outside Jerico, Colombia, where each house is painted a different vibrant hue.
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In Artisan-Heavy Guatemala, a Young Maker Forging a New Path in Industrial Design

The last time we featured the work of Sofia Véliz — a two-piece set of folded-steel gallery furniture made for a Diego Sagastume exhibition — we wondered what else the Guatemala City designer might have up her sleeve. Over a year and a half later, we’re finding out: From extracting rubber powder from tires to seeking inspiration from Finnish film sets, to exploring the balance between utilitarian design and the urge to experiment, there’s no question that the 25-year-old designer keeps herself busy.
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Caroline Walls_opener

In Melbourne, An Emerging Painter and the Art of the Abstract Nude

Those unfamiliar with the work of Melbourne artist Caroline Walls will find clues to its themes in the titles of a few noteworthy collections: She & Her, Women, Intimacy, Abstract Nudes. Walls’s art (which encompasses paintings, prints, drawings, photography, soft sculpture, and more) is both spare and completely all-consuming, depicting the female form in ways that emphasize its grace and dynamism.
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Sight Unseen, Leah Ring, Los Angeles, Design, Laure Joliet 2017

Inside the Home and Studio of LA’s Newest Emerging Design Star

Leah Ring's works represent striking and deeply thoughtful iterations on familiar forms, but there’s something brighter and more buoyant that binds them. “There's a sort of playful geometry that's present in all of my work, and I definitely hope that all of it communicates a sense of joy,” Ring says. She recently invited us into her Atwater home and studio to reflect on her space, her process, and the importance of play.
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Ana Kras Natalie Weinberger

Ana Kras and Natalie Weinberger’s Powerhouse Collab at Picture Room

On view through August 20th at Brooklyn’s Picture Room, Family pairs pencil drawings by artist and designer Ana Kraš with stacked stoneware sculptures — each comprised of a set of functional vessels wheel-thrown by Brooklyn ceramicist Natalie Weinberger — in an exploration of emotional interplay between inanimate objects. “We started calling each set a family,” Weinberger says, “because we’re working with separate figures that share an emotional attachment.”
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