The definition of gallery keeps expanding, and perhaps our favorite new entry is the mezzanine of the year-old café Baldon, located inside architect Arno Brandlhuber’s terraced, brutalist Lobe Block building in the Wedding neighborhood of Berlin. On view until the end of the month is a show that combines two artists of recent interest — Kim Bartelt, whose home and studio we featured here earlier this fall, and Yellow Nose, a Berlin-based studio founded in 2017 by two Taiwanese architects, Hsin-Ying Ho and Kai-Ming Tung.

In the materials list for one of the new works by Paris-born artist Côme Clérino — on view now at Galerie Chloe Salgado — you might find MDF, plaster, acrylic resin, fiberglass, paraffin, fabric, thermoplastic glue, tile seal, ceramic, watercolor, felt pen, and colored pencil. But paint? Hardly, despite the fact that Clérino considers himself foremost a painter.

“Even though a mirror is two-dimensional, it feels three-dimensional to me,” explains Detroit-based designer Nina Cho, who has been putting reflective surfaces at the center of her work since her debut collection back in 2015. For her latest exhibition, developed by Colony Consult, Cho created a series of geometric, two- and three-toned mirrors called Maung Maung.