Week of May 7, 2018

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: Three projects that prove our 2018 trend predictions were true, three achingly hip new retail and restaurant interiors, and three unexpected double-designer collabs, including the Anna Karlin x Fernando Mastrangelo mash-up pictured above.
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Pink Plexiglas and Blue Vinyl — At Home With Crosby Studio’s Harry Nuriev

Color is a recurring theme in Harry Nuriev’s work. His Williamsburg apartment is famously blue; prior to that, he had what he calls “a long pink period,” best seen in the debut collection the formerly Moscow-based designer launched at Sight Unseen OFFSITE in 2016. His way with color replaces old ways of viewing space and encourages new ones; it is divisive by nature and cinematic in scope.
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We Re-Curated Brooklyn’s A/D/O Shop — Here Are 5 Great Things You Can Buy There

We've run an online shop for almost as long as we've run Sight Unseen, yet if we had a dime for every time we've heard the same question over the past 9 years — why don't you open a physical store? — we'd be very, very rich. To all those who have so kindly indulged in a fantasy of shopping Sight Unseen IRL, however, we have big news for you: As of today, we've taken over the curation of the shop at A/D/O in Greenpoint, Brooklyn, and filled it with super-affordable furniture, lighting, and housewares by dozens of Sight Unseen-approved brands and designers.
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Block Shop Los Angeles studio

Inside the Color-Drenched L.A. Studio of Block Shop Textiles

For their installation at Sight Unseen OFFSITE, sisters Lily and Hopie Stockman — the duo behind the textile line Block Shop — are drawing inspiration from their own studio, high up in a historic bank building in downtown Los Angeles. “Our studio is filled with rugs and pillows and dogs and books and other human beings coming and going. We wanted to recreate that in New York,” says Hopie. Voracious, eclectic readers, the Stockman sisters have envisioned the project as a reading room.
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Cold Picnic’s Founders On Why Films Make Great Rugs

In the past, Cold Picnic founders Phoebe Sung and Peter Buer have abstracted stills from Antonioni and Fassbinder films into striking compositions of color and geometry; they turned to the films of Tunisian director Nacer Khemir for the visual cues behind their newest collection — Desert Trilogy — which launches next week at OFFSITE with the support of Levi’s Made and Crafted.
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Sight Unseen OFFSITE 2018 - Moving Mountains x Giselle Hicks

The Barragán-Inspired Ceramic Lights Debuting at Sight Unseen OFFSITE

“My house is my refuge, an emotional piece of architecture and not a cold piece of convenience,” the architect Luis Barragán once said. According to Moving Mountains studio founder Syrette Lew, this sentiment perfectly captures the spirit of her new collection of chairs and lights — the latter designed in collaboration with ceramicist Giselle Hicks. The installation — on view at 201 Mulberry starting next Thursday, May 17, and presented by Levi's Made & Crafted — is loosely based on the color palettes and surroundings Lew encountered on a recent trip to Barragán’s native Mexico.
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Week of April 30, 2018

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: It may be Frieze week but some of the coolest works can be found in smaller galleries around town. Plus, how to refresh your house for spring, the coolest color-coded museum in Copenhagen, and the $10,000 table that's currently at the top of our wishlist.
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Ross Hansen Volume Gallery

Resin is Having a Moment — Here’s One of Our Favorite Uses of the Material Yet

Los Angeles designer Ross Hansen has a degree in landscape architecture — as well as a current landscape practice — so it makes sense that his first solo furniture exhibition, on view now at Chicago's Volume Gallery, would hinge on man's perception of nature. Called Super Natural, the pieces in his new series explore color, form, and industrial processes through objects made from epoxy resin — a grand, flocked, deep green armoire with a protruding, block-like grid; a bumpy, brick-red chair; and a series of bowls, tables, shelves, and chairs, whose mottled, pigment-dyed patterns almost resemble florals.
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At Morgan Lehman, Two Artists Exploring the Slippery Nature of Spatial Perception

Seeing the work of photographer Erin O'Keefe and painter Matt Kleberg side by side, it’s as if they are of one mind: the brightest orangey reds, the richest teals and greens, and the textured yellows; the crisp angles, the unexpected shapes, and the lively abstractions. Their current collaboration, a two-person exhibition titled Ecstatic Vernacular on view at Morgan Lehman in New York until May 19, is a conversation between the artists and their differing mediums.
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